Analysis
Smart, independent reporting on Turkey's politics, economy and foreign affairs.
The television drama industry is facing an unprecedented crisis as soaring inflation and domestic regulatory pressures threaten its global standing, alongside suppressive measures, including the detention of manager Ayşe Barım and the ongoing detentions in a drug and prostitution case that has labeled many figures from the sector.
Who is Ayşe Barım? Those who should know her, don’t. The people of this country—who have lived all their lives below the poverty line, and not even all of them, only a few—first heard her name in the news bulletins. When? Exactly 248 days ago, when she was arrested. They didn’t know Ayşe Barım, but in the evenings they gathered with their families or friends, cracking sunflower seeds and watching TV dramas with excitement. Yet those viewers had no idea what was happening behind the screen. Behind the mesmerizing shows they watched so devotedly stood an unknown figure. Under the headlines “Çağlayan Courthouse / Silivri Prison,” Ayşe Barım was forced—by the hand of the judiciary, not by her own will—to step onto the stage from behind the curtains.
Talent manager Ayşe Barım, on trial for allegedly attempting to overthrow the government in connection with the 2013 Gezi Park protests, was briefly granted conditional release under judicial supervision—until an upper court overturned the ruling and issued a new arrest warrant just as she was about to undergo a medical procedure.